Female filmmakers were shut out, “Parasite” made history and “Joker” edged out “The Irishman,” “1917” and “Once Upon a Time … in Hollywood” in this week’s Oscar nominations.
Todd Phillips’s R-rated superhero smash “Joker” topped all films with 11 nominations to the 92nd Academy Awards, while Martin Scorsese’s elegiac crime epic “The Irishman,” Quentin Tarantino’s 1960s Los Angeles fairy tale “Once Upon a Time … in Hollywood” and Sam Mendes’ continuous World War I tale “1917” all trailed close behind with 10 nods apiece.
Those four were among the nine films nominated for best picture by the Academy of Motion Pictures Arts and Sciences. The others were: Greta Gerwig’s Louisa May Alcott adaptation “Little Women,” Noah Baumbach’s divorce drama “Marriage Story,” Taika Waititi’s Nazi Germany romp “Jojo Rabbit,” James Mangold’s racing drama “Ford v Ferrari” and Bong Joon Ho’s class satire “Parasite” — the first Korean film to be nominated and only the 11th non-English best-picture nominee.
“Joker,” which gives the DC Comics villain an anti-hero spin cribbed from Scorsese, was expected to do well. But the academy’s overwhelming support for a divisive movie that was far from a critical favorite was unexpected. The film’s nominations included best actor for Joaquin Phoenix and best director for Phillips.
Though a record 62 women (or about a third of nominees) were nominated this week, the Academy of Motion Pictures Arts and Sciences put the most weight behind a handful of swaggering male-driven and man-made movies predicated on virtuosity, spectacle and star power. For the 87th time, the academy selected all-male directing nominees.
Hollywood, in the midst of a streaming upheaval, also gave Netflix more nominations, 24, than ever before. The 10 nominations for “The Irishman” tied the most for a Netflix film, following “Roma” last year. Scorsese, a onetime winner for “The Departed,” was nominated for best director for the ninth time. The film also won nods for Al Pacino, Joe Pesci and its de-aging special effects. “We put all of ourselves into this picture,” said Scorsese in a statement.
“1917” followed up its Golden Globes win and strong opening weekend at the box office with nominations not just for its technical achievement (including Mendes’ directing and Roger Deakins’ cinematography) but for best screenplay, too.
“Once Upon a Time … in Hollywood” was nominated in just about every category it was expected to, including Tarantino for directing and screenplay, best actor for Leonardo DiCaprio and best supporting actor for Brad Pitt. And Hollywood loves little more than a good story about itself.
“It’s a real love story to this industry,” DiCaprio said by phone. “In this movie, Quentin got to do a movie that was a homage to Los Angeles and a place that I grew up in.”
Despite a year in which women made historic gains behind the camera, female directors were again shut out of best director. The most likely candidate was Greta Gerwig (“Little Women”), who was the last woman nominated, two years ago for “Lady Bird.”
Jennifer Lopez, long considered a supporting actress front-runner for her performance in “Hustlers,” was also denied her first Oscar nomination.
The oversights left the Oscars with their least diverse field since the fallout of #OscarsSoWhite pushed the film academy to diversify its membership. The only actor of color nominated was Cynthia Erivo, the British actress, for her Harriet Tubman in “Harriet.” Last week, the British film academy nominated only white performers, leading Erivo to decline an invitation to perform.
Bong Joon Ho’s “Parasite,” however, made history for South Korea. Along with the country’s first nomination for best international film, the Cannes Film Festival Palme d’Or-winner also scored nods for Bong’s direction, best editing and best production design.